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Untitled
© » KADIST

N. Dash

Sculpture (Sculpture)

Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive. Through these delicate and time-consuming processes, the artist’s bodily interaction with the material becomes clear, with marks of its making and traces of the artist’s hand embedded in the surface of her quiet compositions.

Orión
© » KADIST

Adriana Martínez

Sculpture (Sculpture)

Her 2015 work Orión is a black flag-like cloth with glow-in-the-dark symbols embroidered in the shape of the constellation. In the place of stars, Martínez has substituted the logos of international corporations and entities that use stars as their symbol; celestial navigation commanded by the logic of international corporations. Easily spotted is the smiling face of the Carl’s Jr. / Hardee’s logo, the three-pronged Mercedes-Benz emblem, Walmart’s six-pointed asterisk, and the starry cluster of the Subaru shield.

Lightning01
© » KADIST

Lin Ke

Film & Video (Film & Video)

Lightning 01 (2014) parodies our contemporary relationship to screen-based media and the absurdity of aestheticizing boredom. The video depicts a computer user aimlessly taking photos of himself, seemingly numb to external stimuli or intervention. Set on a loop, the video produces the illusion of an endless state of bored selfies and disaffected gazes.

Sea Painting, Dunwich, September
© » KADIST

Jessica Warboys

Painting (Painting)

The ongoing “Sea Paintings” series is central to the practice of Jessica Warboys. The series plays with the notion of ritual, performance, nature and consequence. The artist realises her “Sea Paintings” on the Zennor coast, near St Ives, where she emerges the canvas in the seawater, allowing the waves and the wind to mix the raw mineral pigments that have been applied by hand to damp folded canvases.

Japanese House Series
© » KADIST

Tomoko Yoneda

Photography (Photography)

Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945. Yoneda focuses both on the original Japanese features of the houses and on details that have been altered since the end of the occupation. The yet-to-be acknowledged history of the occupation of Taiwan and other East Asian countries by Japan during World War II is subtly disclosed in these pictures.

Peg and Jon
© » KADIST

John Houck

Photography (Photography)

Houck’s Peg and John was made as part of a series of photographic works that capture objects from the artist’s childhood. In this image, drafting materials (pencils, compasses, and protractors) are laid out next to shotgun shell casings. Presenting these objects in juxtaposition but without commentary, Houck offers a partial but interesting glimpse into his own biography.

Herculine's Profecy
© » KADIST

Juliana Huxtable

Sculpture (Sculpture)

Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom. This composition is stuck to a metal plate by a series of button magnets, with interjecting phrases on them. The juxtaposition between the mysogynistic, almost puritan poetry that stripes across the bottom and the powerful crouching pose that the femme demon assumes inverts the hegemonic text , instead creating a space of alterity.

Echo 8
© » KADIST

Bettina Pousttchi

Photography (Photography)

For Bettina Poutsttchi’s large-format, site-specific photographic work Echo (2009–10), the four exterior walls of the Temporäre Kunsthalle Berlin were covered with a digitally edited collage of archival images of the glass-and-steel facade of the Palast der Republik (Palace of the Republic), which had once been located nearby. That milestone of late East European modernism was completed in 1976. It served as the seat for the Volkskammer—the parliament of the German Democratic Republic (GDR).

Memory of the Blind Elephant
© » KADIST

Nguyen Phuong Linh

Film & Video (Film & Video)

Set in the haunting space of an ex-colonial rubber plantation in Central Vietnam, Phuong Linh Nguyen’s film Memory of the Blind Elephant is a tender portrait of the complex economies of interspecies trauma and resilience in the face of continued extraction and destruction. Formerly present in the coronation of Potau Apui (the Jarai King of Fire), in Dr. Yersin’s exploratory crew during the colonial period, and now a major draw for tourists, the figure of the elephant is ailing, grievous, as though haunting its habitat. Intrigued by the reality she observed, Phuong Linh gathered, documented, altered, repositioned the local materials of ceaseless exploitation of natural resources: raw rubber, ferrosols, and aluminium to assert a critical proposition.

Head-Portrait with Red and Blue Background
© » KADIST

James Weeks

Painting (Painting)

Both Head-Portrait with Red and Blue Background and Man with Blue Tie are classic examples of Weeks’ deftness of line, shape, and color. These two works illustrate his signature flattened style -a vast departure from figurative painting of the time- and hints of influence from modernist painters like Henri Matisse and Maynard Dixon, although with a somewhat darker tone. Both figures stare with with expressionless faces and hollow eyes.

Mickey Mouse
© » KADIST

Paul McCarthy

Drawing & Print (Drawing & Print)

To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey. On his shoulders he supports an enormous false head, Mickey’s familiar face grinning with glossy eyes. The artist has marked out in heavy black the background of Cinderella’s castle.

Metaphors of the presence or conversations at the speed of light
© » KADIST

Nicolás Paris

Sculpture (Sculpture)

Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist. Both of those interests feed deeply into his artistic practice, which ranges from workshops, dialogues, and exchanges to environments, drawings, and sculpture. Metaphors of the presence or conversations at the speed of light (2012) is a sculpture of a lightbulb that the artist altered.

A Thoughtful Gift
© » KADIST

Pio Abad

Sculpture (Sculpture)

A Thoughtful Gift by Pio Abad is based on a version of a letter written by the former First Lady of the United States, Nancy Reagan to the former First Lady of the Philippines, Imelda Marcos. Written in 1986, the letter assures Marcos of their safety from persecution in the United States, following widespread anti-government protests across the Philippines. The Marcoses were granted exile in the United States by the Reagan administration and they eventually fled to Honolulu.

Friction / Where Is Lavatory?
© » KADIST

Taiyo Kimura

Film & Video (Film & Video)

The wall installation Friction/Where is Lavatory (2005) plays off anxieties about time but utilizes sound to create a disconcerting experience of viewership: comprised of dozens of wall clocks sutured together, the work presents a monstrous vision of time at its most monumental. The clocks, however, are effectively broken, altered so that the second hand of each clock obstructs one another as they sweep across the face. Often combining a sense of physical incongruity and visceral displeasure with touches of humor and cruelty, Taiyo utilizes conceptual approaches as a means of challenging preconceived ideas about social organization.

dawn_chorusiii: the fruit they don’t have here / coro_del_albaiii: la fruta que no tienen aquí
© » KADIST

Sofía Córdova

Film & Video (Film & Video)

Sofía Córdova’s film dawn_chorusiii: the fruit they don’t have here / coro_del_albaiii: la fruta que no tienen aquí weaves together six California migration stories that resist dominant social narratives that flatten the experience of migrants. Though each woman’s story is based on interviews conducted by Córdova through voice memos or phone calls, the women’s lines in the film are reinterpreted and altered by the artist as a gesture that affords them opacity and relative anonymity. The opening sequence begins with four of the women looking into the camera, reciting a poem about the transition from winter to spring in Spanish and Mandarin: the birds dropping seeds they brought from afar, planting saplings that grow into trees bearing the fruit they don’t have in their new homes.

Untitled
© » KADIST

Vivian Suter

Painting (Painting)

Vivian Suter paints her canvases and then allows them to come in contact with natural elements. For thirty years she has lived in isolation in the Guatemalan jungle, accumulating canvases, sometimes leaving them out for long periods of time. As a result, Suter does not title or date her paintings.

And so it is 3,200.00
© » KADIST

Michael Armitage

Painting (Painting)

In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message. The viewer is faced with the familiar image of political power seen in our homes on the television, yet this time located in a whimsical abstract landscape. The speaker appears as a shadow in front of a crowd that is responding to him by holding bubbles containing images of animals and plants.

Untitled (Beheading)
© » KADIST

Mike Cloud

Painting (Painting)

In his series Hanging and Beheading Paintings Mike Cloud speaks to the suffering of a series of named (and occasionally unnamed) individuals, addressing their trauma within the language of abstraction. They offer the viewer an aesthetic account of individuality, death, and the empathic space of communion in absence via avant-garde portraiture, unbound by the rules of anatomy or even representation, but instead by purely expressive compositional and aesthetic goals. Untitled (Beheading) embraces the individual subjectivities of notable and mundane contemporaries — from pop stars to serial killers — in cryptic ways, connected only by the physical circumstances of their deaths.

Untitled #242, 104, 975 combinations of a 2×2 grid, 18 colors
© » KADIST

John Houck

Photography (Photography)

Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines. Houck transforms these simple outputs physically, folding, lighting, photographing, and re-printing them, only to fold, photograph, and re-print again. An MFA graduate from UCLA, John Houck works primarily in the medium of photography and specializes in still-life vignettes.

Displacements
© » KADIST

Ana Roldán

Photography (Photography)

Ana Roldán’s Displacements works use images taken from a 1970s exhibition catalogue for an exhibition called The Death in Mexico. Using pre-Columbian objects and other artifacts from Mexican history, the exhibition aimed to explore various representations of death in the Mexican cultural tradition. Roldán’s works begin with these rich black-and-white photographs and break them apart into fragments, slicing and dismembering the artifacts they depict.

Monologika - Yoyo 1.,2. (U.F.O.)
© » KADIST

Julius Koller

Photography (Photography)

The photograph Monologic – Yo-Yo 1, 2 (U. F. O. ), (1982), shows Koller playing with a big white Yo-Yo in a drab concrete building among a group of tower blocks.

Do ut des (I give that you may give back)
© » KADIST

Mariana Castillo Deball

Sculpture (Sculpture)

Do ut des (2009) is part of an ongoing series of books that Castillo Deball has altered with perforations, starting from the front page and working inward, forming symmetrical patterns when each spread is opened. The books belong to O Mundo dos Museus (The World of Museums), a collection conceived by the Brazilian designer Eugênio Hirsch in the 1970s. More than simply a catalogue of artworks, each offers the reader a promenade through a different world museum and its functioning, starting with photo reportage of the building, its urban landscape and architecture, the management and restoration of works, and visitors walking though the galleries.

There are veins in these lands, I
© » KADIST

Rodney McMillian

Painting (Painting)

In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point. Calling up the unknown intimacies of these objects, McMillian upends their usual orientation, placing them directly on the wall to serve as paintings, rather than covers. Layering over the repurposed textiles with hardware store paint, McMillian transforms the sheets into canvases, creating abstract landscapes on top of the traces of human bodies intact in the fabric.

Returning a sound
© » KADIST

Allora & Calzadilla

Film & Video (Film & Video)

Vieques is an island off the mainland of Puerto Rico used by the U. S Navy and NATO forces as military testing ground as from the 1940s. Civil disobedience and active protest movements initiated by local inhabitants and an international support network led to the end of the bombings and progressive demilitarization in 2002.

Whites for Sale
© » KADIST

Dread Scott

NFT (NFT)

In conjunction with his first NFT sale of White Male Dread Scott made and circulated a poster titled Whites For Sale . The indigo-colored poster advertises a “cargo” of newly arrived white slaves, from which one will be for sale. This work is adapted from a 1796 slave sale announcement poster that is now archived in the library at Columbia University, NYC.

Les Etoiles du Nord (Northern Stars)
© » KADIST

Angela Detanico and Rafael Lain

Film & Video (Film & Video)

Letters of the Greek alphabet glisten on a black background. When a letter appears, there is a sound. Each letter corresponds to a star in the sky.

Lens Flare
© » KADIST

Jordan Kantor

Film & Video (Film & Video)

Lens Flare and the series Untitled Basel Lens Flare (6168, 5950, 7497) were part of a solo project by the artist presented at ArtBasel in 2009. Included in the Kadist Collection, these works continue to explore the ontology of the image to investigate the relationship between painting, photography, and a new time-based variable: film. Reduced here to the essential function of recording the exposure of light through the apparatus of a lens, Kantor then translated these film stills into painted colored canvases that retain the 3:4 aspect ratio of the 16mm film as well as the exact size of the projected image.

Untitled, (Basel lens flare 5950, 6198, 7497)
© » KADIST

Jordan Kantor

Painting (Painting)

Lens Flare and the series Untitled Basel Lens Flare (6168, 5950, 7497) were part of a solo project by the artist presented at ArtBasel in 2009. Included in the Kadist Collection, these works continue to explore the ontology of the image to investigate the relationship between painting, photography, and a new time-based variable: film. Reduced here to the essential function of recording the exposure of light through the apparatus of a lens, Kantor then translated these film stills into painted colored canvases that retain the 3:4 aspect ratio of the 16mm film as well as the exact size of the projected image.

Dreaming of the dream of the dream
© » KADIST

Jordan Wolfson

Film & Video (Film & Video)

Dreaming of the dream of the dream is a 16mm projection consisting of images of waves that come and go continuously. The artist has assembled extracts of cartoons in which water is visible (the sea, bubbles, a stream, waves, etc.). Somewhat nostalgic, these extracts can recall either childhood cartoons or paintings by Hokusai.

Jet Folder & Data Tree
© » KADIST

Lin Ke

Drawing & Print (Drawing & Print)

Jet Folder & Data Tree (2013) offers a humorous take on how computer and screen-based technologies affect our relationship to the natural world. In a statement through his gallery, Gallery Yang, Lin remarks that “one day in 2010, I discovered that the folders in my computer began talking to me. So I created lots of empty folders with no content but name.” Lin’s print, by extension, functions as a collage in which screen-based media becomes part of the natural world, and vice versa.

Gan Chin Lee

Gan Chin Lee is a Malaysian artist of Chinese descent known across Southeast Asia for his realist paintings that painstakingly register the ethnic and religious complexities of Malaysia...

John Houck

James Weeks

James Weeks, born in 1922, was an important figure in the Bay Area figurative painter tradition, with contemporaries such as Richard Diebenkorn, Elmer Bischoff, and David Park...

Zhang Kechun

Photographer Zhang Kechun documents striking scenery that meditates on the significance of landscape in modern Chinese national identity...

Rivane Neuenschwander

Lisa Oppenheim

Natalia Lassalle-Morillo

Natalia Lassalle-Morillo’s films explore familial, neighborly, and citizen relationships in the context of Puerto Rico’s fraught history with the United States and the resulting imperialist oppression that has altered generations of families’ material and spiritual trajectories...

Johanna Calle

Lin Ke

Lin Ke’s video and media-based installations explore how perceptual experiences of our surrounding environments are mediated and altered by various technologies...

Jordan Kantor

Jordan Kantor’s artworks explore relationships between painting and photographic mediums...

Jessica Warboys

Employing a variety of media including film, sculpture, ceramic, photography, found objects and sea paintings, Jessica Warboys (b...

Allora & Calzadilla

Jennifer Allora and Guillermo Calzadilla comprise the artistic duo Allora & Calzadilla...

Juliana Huxtable

Pio Abad

In his practice, Pio Abad looks into the social and political significance of objects usually consigned to the sidelines of history...

Egle Jauncems

Egle Jauncems’s practice considers the relationship between painting and textile art...

Christine Sun Kim and Thomas Mader

Christine Sun Kim and Thomas Mader have been collaborating for the last 5 years, covering communication in a variety of formats such as recording an overnight shipment from Berlin to New York ( Recording Contract , 2013), compiling 24 hours of invited contributors’ studio time ( Busy Day , 2014), and using the arm game, a combination of body and face, in order to describe a series awkward situations ( Classified Digits , 2016)....

Ad Minoliti

Ad Minoliti is a painter who combines the pictorial language of geometric abstraction with the perspective of queer theory...

Fred Wilson

Michael Armitage

Michael Armitage (b...

Pratchaya Phinthong

Pratchaya Phintong’s works often arise from the confrontation between different social, economic, or geographical systems...

Yoan Capote

Rodney McMillian

Angela Detanico and Rafael Lain

Linguists, semiologists, and graphic designers by training, Angela Detanico and Raphaël Lain consider the use of graphic signs in society...

Glenn Ligon

Kadar Brock

Kadar Brock makes large-scale abstract paintings via a rigorous process of layering, erasing, and reworking his surfaces; his highly textured canvases are variously discordant, exuberant, and topographical in nature...

Musquiqui Chihying

Through his artistic career, Musquiqui Chihying has striven to dislocate and reconstruct established modes of behavior within systems and structures of power...

Tessa Mars

Tessa Mars delves into Haitian history, her primary source of inspiration, to unveil a colourful and provocative universe that she wishes to reclaim...

Xolo Cuintle

Artist duo Romy Texier and Valentin Vie Binet go by the collective title Xolo Cuintle, producing works that sit somewhere between furniture, sculpture, sets and domestic spaces...

Aki Kondo

Aki Kondo utilizes animation, video, and mixed media to explore such varied topics as intimacy, loss, and the human body...

Bettina Pousttchi

In recent years Bettina Pousttchi’s work has dealt with themes related to memory, time and history and she is particularly interested in the consequences of the fall of the Berlin Wall...

© » ARTSY

about 3 months ago (02/12/2024)

Savannah Marie Harris’s Bold Abstract Canvases Are Rife with Tension and Beauty | Artsy Skip to Main Content Advertisement Art Savannah Marie Harris’s Bold Abstract Canvases Are Rife with Tension and Beauty Casey Lesser Feb 12, 2024 2:00PM Portrait of Savannah Marie Harris...

© » WALLPAPER*

about 3 months ago (02/12/2024)

Aston Martin Vantage is revitalised for a new generation | Wallpaper 2024 Aston Martin Vantage (Image credit: Aston Martin) By Jonathan Bell published 12 February 2024 Just as the Aston Martin DB12 represented a thorough overhaul of the Aston Martin DB11 , rather than being an all-new car from the ground up, this newest version of the Vantage takes the 2018 model and gives it a thorough shaking down...

© » ARTNEWS

about 3 months ago (02/12/2024)

Musée d'Orsay's Van Gogh Exhibition Breaks Historic Attendance Record Skip to main content By Francesca Aton Plus Icon Francesca Aton Associate Digital Editor, ARTnews and Art in America View All February 12, 2024 3:00pm Visitors taking pictures of van Gogh's The Self-Portrait in the exhibition "Van Gogh in Auvers-sur-Oise, the Final Months" at the Musée d'Orsay in Paris, France, 2023...

© » TATE EXHIBITIONS

about 3 months ago (02/12/2024)

Beatriz Milhazes: Maresias | Tate St Ives Discover the vibrant works of one of the leading abstract artists working today Tate St Ives presents a retrospective of the work of artist Beatriz Milhazes , who is known for intensely colourful, large-scale abstract canvases...

© » SLASH PARIS

about 3 months ago (02/12/2024)

Amy Bravo — I’m Going There With You — Semiose Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Amy Bravo — I’m Going There With You — Semiose Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Amy Bravo — I’m Going There With You Exhibition Installation, painting, sculpture, mixed media Upcoming Amy Bravo, Elegy to the Mustache, 2024 Graphite, wax pastel, acrylic on canvas, found objects, mirror and plaster — 54 × 36 × 1 in...

© » LITHUB

about 3 months ago (02/08/2024)

Blood, Sweat, and Paint: Finding the Work Behind the Art ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Via Viking Blood, Sweat, and Paint: Finding the Work Behind the Art Bianca Bosker Explores the Artistic Practice From the Painter’s Perspective By Bianca Bosker February 8, 2024 Pretty much all the gallerists I talked with would, at some point, lower their voices as if imparting a trade secret and confide that their favorite way to find talented artists was by talking to other artists...

© » THEARTNEWSPER

about 3 months ago (02/06/2024)

Why Anthony van Dyck was summoned to paint a recently deceased noblewoman Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Book Club feature Why Anthony van Dyck was summoned to paint a recently deceased noblewoman This extract from a new book about works in the Dulwich Picture Gallery by Helen Hillyard and Jennifer Scott reveals the story behind the artist's 1663 portrait of Lady Digby Helen Hillyard and Jennifer Scott...

© » ARTSY

about 3 months ago (02/05/2024)

5 Artists on Our Radar in February 2024 | Artsy Skip to Main Content Advertisement Art 5 Artists on Our Radar in February 2024 Artsy Editorial Feb 5, 2024 8:50PM “Artists on Our Radar” is a monthly series focused on five artists who have our attention...

© » ARTSY

about 5 months ago (12/18/2023)

10 Galleries That Had a Breakout Year in 2023 | Artsy Skip to Main Content Advertisement Art Market 10 Galleries That Had a Breakout Year in 2023 Maxwell Rabb Dec 18, 2023 1:00PM Igi Lola Ayedun, installation view of “Eclosão de um Sonho, Uma Fantasia” at HOA, 2023...

© » HYPERALLERGIC

about 5 months ago (12/18/2023)

New Bedford Whaling Museum Restores Rare Panorama Painting Skip to content Conservation efforts to restore Charles Sidney Raleigh’s “Panorama of a Whaling Voyage” (1878–80) This December, the New Bedford Whaling Museum revealed the groundbreaking restoration of one panel from Charles Sidney Raleigh’s “Panorama of a Whaling Voyage” (1878–80)...

© » WHITEHOT

about 5 months ago (12/18/2023)

Ruth Gonzales & Lorien Suárez-Kanerva: The Embrace of Nature advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Ruth Gonzales & Lorien Suárez-Kanerva: The Embrace of Nature Eric Minh Swenson Art Films: Ruth Gonzales & Lorien Suárez Kanerva, The Embrace of Nature Exhibition Curator Narration by Peter Frank...

© » SLASH PARIS

about 5 months ago (12/12/2023)

Guy Leclercq — Épures et couleurs — Dutko / Quai Voltaire Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Guy Leclercq — Épures et couleurs — Dutko / Quai Voltaire Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Guy Leclercq — Épures et couleurs Exhibition Painting View of the artist’s studio Guy Leclercq Épures et couleurs Ends in 27 days: December 7, 2023 → January 13, 2024 Dutko Gallery is pleased to present from December 7th until January 13th a selection of the most recent works by Belgian artist Guy Leclercq...

© » GALERIE MAGAZINE

about 5 months ago (12/11/2023)

8 Emerging Artists Who Made a Splash at This Year’s NADA and Untitled Art in Miami - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view of Henrik Godsk at Vigo Gallery at Untitled Art 2023...

© » TWOCOATSOFPAINT

about 5 months ago (12/08/2023)

Text and image: Laurie Fendrich and Peter Plagens – Two Coats of Paint John Coplans photo portrait of Peter Plagens and Laurie Fendrich, c...

© » SLASH PARIS

about 5 months ago (12/01/2023)

Group show — Tous les jours — Chantal Crousel Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Group show — Tous les jours — Chantal Crousel Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Group show — Tous les jours Exhibition Drawing, photography, sculpture, mixed media.....

© » LENS CULTURE

about 6 months ago (11/20/2023)

Rituals, Renewal, and Order from Chaos - Photographs by Elena Helfrecht | Interview by Sophie Wright | LensCulture Feature Rituals, Renewal, and Order from Chaos Bringing the myths of her native region of Bavaria into an enigmatic visual reality, Elena Helfrecht has built a photographic ritual she enacts every year around winter solstice...

© » ARRESTED MOTION

about 6 months ago (11/17/2023)

Showing: José Parlá – ‘Phosphene’ @ Ben Brown (London) « Arrested Motion Closing today after a four week run, Phosphene is José Parlá ’s second show at Ben Brown Fine Art ’s London location...

© » SLASH PARIS

about 8 months ago (09/04/2023)

Mélanie Matranga — Éveillée — Centre d’art contemporain Passages — Exhibition — Slash Paris Login Newsletter Twitter Facebook Mélanie Matranga — Éveillée — Centre d’art contemporain Passages — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Mélanie Matranga — Éveillée Exhibition Installation, sculpture, mixed media Closing Mélanie Matranga, Le Rêve de Federico, 2023 © Mélanie Matranga Mélanie Matranga Éveillée Ends in 5 days: September 29 → December 16, 2023 You enter the house, and on the left, you can plunge...

© » SLASH PARIS

about 8 months ago (08/25/2023)

Caroline Bachmann — Le Matin — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris Login Newsletter Twitter Facebook Caroline Bachmann — Le Matin — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Caroline Bachmann — Le Matin Exhibition Drawing, installation, painting Closing Caroline Bachmann, Le Matin, 2022 Detail...

© » ARRESTED MOTION

about 15 months ago (02/22/2023)

Showing: Beyond The Streets (London) « Arrested Motion The art establishment has a less than distinguished history when it comes to embracing artists who fall outside of its comfortably familiar linear narrative of western art...

© » TATE EXHIBITIONS

about 16 months ago (01/19/2023)

Zeinab Saleh | Tate Britain Zeinab Saleh presents an intimate new series of paintings and drawings which trace both fleeting movement and suspended time Zeinab Saleh uses acrylic paint, pastel and soft pastels to create a new series of paintings and drawings for her Art Now display at Tate Britain...

© » ARTS EQUATOR

about 17 months ago (12/05/2022)

"Covid Time Capsule": Memories and Regret and Echoes from the Stars | ArtsEquator Skip to content Artists from the region created a virtual time capsule to capture the objects and memories of the past two years...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

What’s It Like to Actually Shop at a Virtual Art Fair? What a Collector Thinks of Frieze’s Inaugural Online Edition - via artnet news...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

An auction of a collection of 55 masterpieces that once belonged to the convicted founder of bankrupted Italian food conglomerate began on Tuesday in Milan after years of painstaking detective work to recover the hidden canvases....

© » ARTS EQUATOR

about 24 months ago (05/19/2022)

Spectrum of Nature in SIFA 2022 | ArtsEquator Skip to content ArtsEquator interviews four artists whose works depict nature in different spectrums, at the upcoming Singapore International Festival of Arts 2022...

© » HIGH FRUCTOSE

about 53 months ago (12/20/2019)

The remixed and altered porcelain sculptures of ceramicist Penny Byrne often have a political edge...

© » HIGH FRUCTOSE

about 53 months ago (12/17/2019)

Zhiyong Jing says he paints "dreams, bodies and absurd realities." The Beijing-based artist takes a surprising approach to scale in his work, often rendering distant figures on small canvases...

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about 58 months ago (08/05/2019)

Celebrating the monstrous other: "Anak Pontianak" and "Nobody" at LumiNation | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of The Filmic Eye August 5, 2019 By ila (1,100 words, 6-minute read) The year is 2049: two hundred years since the Pontianak first appeared in writing, marked insignificantly in Hikayat Abdullah as residues of superstitious and foolish beliefs of the Chinese and Malays that have persisted with time...

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about 124 months ago (03/03/2014)

Invisible Ink – ARTnews.com Skip to main content By Richard Vine Plus Icon Richard Vine Managing Editor, Art in America View All March 3, 2014 2:10am View Gallery 6 Images “ Ink Art: Past as Present in Contemporary China ,” now at New York’s Metropolitan Museum of Art , seems at first to be a long-awaited corrective to Western myopia in regard to Chinese ink painting and calligraphy...

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about 22 months ago (07/04/2022)

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about 54 months ago (11/15/2019)

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about 80 months ago (10/07/2017)

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about 112 months ago (02/06/2015)

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about 135 months ago (04/03/2013)

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about 223 months ago (01/10/2006)